Now, as you read, some memory has come back to you. Now, in your own mind, you are inventing a story.
In Camera Lucida, Roland Barthes described the studium and punctum of a photograph. There are elements of composition and subject matter the photographer chooses consciously or deliberately. This is the studium.
And there are elements that pierce the frame by chance. For instance, the photographer is “shooting” Nicaraguan soldiers, and two nuns pass by in the background. This is the punctum, the unplanned, unchoreographed moment the photographer sees (gasping, no doubt, in wonder) and records. Barthes says the “adventure” of this photograph comes from the co-presence of these disparate elements.
Now, as you enter the adventure of your own memories, leave space for the unplanned, the unexpected, the piercing impressions that shatter the frames of individual lives.
Every story offers you the possibility of transcendence, the opportunity to imagine, to love the ones who have stepped into your frame and forever altered your experience.
We speak because we will die; but while we breathe on this earth, every moment is eternal.
–From “The Heart Breaks, and Breaks Open: Seven Reasons to Tell a Story” by Melanie Rae Thon (via Glimmer Train)